Showing posts with label Dhrupad. Show all posts
Showing posts with label Dhrupad. Show all posts

Monday, 7 January 2019

Ustad Faiyaz Khan (1886-1950) - Heritage - Cassette released in India in 1999


Here some other wonderful archival recordings by the great Ustad. The Raga Todi on the first side is in Dhrupad format: first an Alap and then a Dhrupad composition in Chautal.
In the near future we will post more volumes from this Heritage Series with archival recordings, most times from private collections.



Friday, 4 January 2019

Ustad Faiyaz Khan (1886-1950) - Great Master Great Music - Raga Bhankar & Raga Des - LP released in India in 1971


Here one of my most favourite LPs with recordings - from the archives of All India Radio - by the great Ustad Faiyaz Khan. In 2011 we had already posted by him a cassette and an LP.
This was the first time that longer pieces by the artist were published. I bought this LP on my first trip to London in the huge HMV shop on Oxford Street. That might have been in 1974 or a year earlier.
I was completely blown away by the sheer beauty of these recordings, very close to Dhrupad, and the majestic architecture of the pieces. In effect, Ustad Faiyaz Khan was the towering figure in the first half of the 20th century and with his death a whole era came to a close. Never again afterwards such majestic and dignified music was created again.



Saturday, 24 November 2018

Zia Mohiuddin Dagar (Rudra Veena) & Zia Fariduddin Dagar (Vocal) - Live at La Sorbonne 16 november 1984


We will now interrupt for a while our series of instrumental recordings of Classical Indian Music and post a number of vocal recordings of Classical Indian Music, before continuing with instrumental music on Sarod and other instruments.
We start here with a beautiful concert - which serves perfectly as a bridge between instrumental and vocal music - by the two great Dhrupad masters: Zia Mohiuddin Dagar (Rudra Veena) and Zia Fariduddin Dagar (Dhrupad Vocal). We received these precious recordings recently from our friend FT in Paris. Many many thanks to him for his generosity.
In the past we had already a number of posts by both artists: Zia Mohiuddin Dagar and Zia Fariduddin Dagar.

We made two folders out of these recordings:

Folder 1:
Zia Mohiuddin Dagar (Rudra Veena)
Raga Yaman (49:31)
Raga Nur Sarang (12:25)

Folder 1 - flac
Folder 1 - mp3

Folder 2:
Zia Mohiuddin Dagar (Rudra Veena) & Zia Fariduddin Dagar (Dhrupad Vocal)
Raga Chandrakauns (46:20)
Raga Bhairavi (8:52)
Zia Mohiuddin Dagar (Rudra Veena)
Raga Ahir Lalit (16:10)

Sunday, 8 April 2018

Sharafat Hussain Khan (1930-1985) - In Memoriam - Cassette published in India in 1987


To close our Dhrupad Series (for now), which became much longer then originally intended, we present here a cassette by the great Ustad Sharafat Hussain Khan, who was, next to his teacher Ustad Faiyaz Khan, amongst the few outstanding singers of the Agra Gharana, who still sang reguarly long Alaps in the Dhrupad style, most times followed by a Khayal compostion. But Ustad Faiyaz Khan sang also Dhrupad compositions, mostly Dhamar. See our post of a cassette by Ustad Faiyaz Khan
Sharafat Hussain Khan (1930 - 1985) was amongst the most brilliant Khayal vocalists of the post-independence era. He represented the Agra Gharana (stylistic lineage), and was unanimously regarded as the most illustrious heir to the legacy of his principal mentor, the legendary Ustad Faiyyaz Khan (1886 - 1950).
Here on this cassette the complete Side A is filled with a long Alap in Raga Jaijaiwanti, followed on Side B by a Khayal composition in the same Raga.
In 2011 and 2015 we posted already four recordings by him, partly also with long Alaps. See here.

The Agra Gharana was originally a Dhrupad Gharana. See: https://en.wikipedia.org/wiki/Agra_gharana

Here two pages from the book "Sonic Liturgy: Ritual and Music in Hindu Tradition" by Guy L. Beck, on which some information on the Dhrupad background of the Agra Gharana is given:


from: Google Books

Addition on 25th of may, 2018:
Here a link from Saptak Festival 2018, devoted to Ustad Sharafat Hussain Khan, containing a beautiful  article on the artist and a CD published on that occasion:
http://www.saptakarchives.org/artist-bios/ustad-sharafat-hussain-khan/

Thursday, 5 April 2018

Falguni Mitra - Cassette published in India in 1992


"A foremost vocalist of North Indian Classical music and an outstanding exponent of its oldest and most revered genre, Dhrupad, Falguni Mitra has been a performing artiste since the age of 12. A Guru, and until recently also the Prefect, of the ITC Sangeet Research Academy (Kolkata, India ) Falguni Mitra brings impeccable musical credentials and rich experience as a concert performer, teacher and administrator. 
Falguni Mitra was initiated into music by his father, Sangeetacharya Shib Mitra at the age of five. Shib Mitra was a disciple of Sangeetacharya and Mridangacharya Bholanath Pathakji of Varanasi, a doyen of the Bettiah tradition, a school known for its expertise in the four Banis of Dhrupad that find expression in Falguni Mitra’s music. Shib Mitra also had the privilege of receiving training in “Alapchari” from Ustad Nasiruddin Khan Sahib, the patriarch of the Dagars. Thus Falguni Mitra presents a distinctive style of Dhrupad, blending elements of the Dagar style of Raga delineation and the Bettiah style of Dhrupad and Dhamaar, with an aesthetic balance that reflects his musical ideals.
Possessing a rich and sonorous voice, Falguni Mitra’s music is marked for the depth and sensitivity of alap, majestic compositions in all four Banis of Dhrupad, intricate layakari keeping intact the text of the composition, and an extraordinary sense of proportion giving an overall effect of great completeness and charm. Rooted in tradition, he is refreshingly innovative as his own compositions reveal.
Featured at prestigious music festivals in India and abroad, Mitra is the recipient of many titles and awards, and is a regular artiste of Akashvani and Doordarshan. A thoughtful musician and a wonderful teacher, his concerts, lecture demonstrations, workshops and articles in various journals receive unqualified appreciation from all. In Chennai for over a decade until 1998, he was a frequent speaker at the annual December conferences of Indian Fine Arts Society and the Music Academy, Chennai. He composed and directed the music for the dance ballet “Meera” choreographed by Smt. Rukmani Devi Arundale and presented at Kalakshetra’s prestigious Annual Arts Festival.
Pandit Mitra is associated with various Universities such as Viswabharati University, Rabindra Bharati University, Delhi University, Banaras Hindu University, and the Annamalai University as an expert scholar, advisor and external examiner. He is a member of the experts Committee of ITC Sangeet Research Academy, a panel member of West Bengal State Music Academy and the Audition Board of All India Radio."


On Bettiah Gharana:

On Indra Kishore Mishra, who seems to me to be the more authentic representative of the Bettiah Gharana:

Here you can purchase recordings by Indra Kishore Mishra for a very low price:




Tuesday, 3 April 2018

Shiv Shankar Mukherjee (1928-2004) - Gouhar Bani style of Dhrupad - Raga Bhairo


Not much is known about this Dhrupad singer, except for the notes on the back side, taken from the booklet of the only commercial CD by the artist, published in 2004 by Makar Records in Paris (see below). Amongst his students are Satinath Bhattacharya & Durga Shankar Acherjee. 
I don't remember anymore if the recording is from my collection or the one of KF. Anyway, my friend KF made a CD out of this recording and created the covers. Many thanks to him.



Here the commercial CD by the artist:


It can be obtained for only 6 Euros here: https://www.discogs.com/sell/item/651233613
At the same Discogs shop can also be obtained other Dhrupad releases from Makar Records:

Sunday, 1 April 2018

Temple Dhrupad - Recordings from the Dhrupad-Mela in Vrindaban in 1982 - From broadcasts by WDR, Cologne, Germany

Painting of Swami Haridas teaching Miyan Tansen in the presence of Emperor Akbar.

Here some more recordings from the Dhrupad-Mela in Vrindaban, recorded by Peter Pannke in 1982 on behalf of WDR, the West German Broadcasting in Cologne. Peter Pannke made 7 broadcasts out of these recordings:

Dhrupad-Mela Vrindaban · 7 Folgen · WDR 1982
Dhrupadas aus Darbhanga
Dhrupadas aus Braj
Asghari Bai - Die letzte der Baijis
Pakhawaj - Die Trommel mit dem satten Klang
Bhutji - Der singende Dämon
Holi - Das Fest der Farben
Der gestohlene Ring - Ein traditionelles Musikdrama 

The first program we had already posted recently under the title "Nicht einmal Gott steht höher als der Klang". As I don't have recordings of the complete broadcasts with the announcements and comments I don't know from which ones the recordings of this post stem. Only the recordings of one of the singers, Kundanlal Sharma, seem to be from the broadcast "Bhutji - Der singende Dämon".

The origin of Dhrupad are the temples, before it turned into court music. But there was always a Dhrupad tradition which stayed in the temples. Here we have recordings from three different of these traditions:

1. Kundanlal Sharma "Bhutji" (Bhootji) (tracks 1 to 4) was, according to a recent talk to Peter Pannke, a leading senior temple Dhrupad singer from Punjab.

2. The Caturvedis (tracks 5 & 6), popularly known also as Caube, are representing an old form of Dhrupad sung in certain temples in Marutha and Vrindaban, belonging to the Mathura Gharana of Dhrupad. Our two artists of this tradition, Lakshman Caturvedi (Caube) and Balaji Caturvedi (Caube) have been in the 1980s eminent artists of this tradition. 
See here on this tradition some excerpts from "Sonic Liturgy: Ritual and Music in Hindu Tradition" by Guy L. Beck:



3. Swami Shriramji Sharma (track 7) was the director of the Krishna Ras Leela Mandal troupe in Vrindaban in the early 1980s and, according to Peter Pannke, had some knowledge of Dhrupad, probably of a tradition similar (if not the same) as the Caturvedis, and performed it on the Dhrupad Mela.

We received these recordings from our friend KF. Many thanks for the sharing.


Friday, 30 March 2018

Dhrupad recordings from All Pakistan Music Conference in 1961 - Mian Mehr Ali Khan of Talwandi Gharana & Niaz Hussain Shami of Sham Chaurasia Gharana

Talwandi Gharana. Lahore. Early 1920s

Here we present some Dhrupad recordings from the All Pakistan Music Conference (APMC) in march and april 1961. We downloaded these many many years ago from the Esnips and Mediafire folders of "Holistic" Ashfaq Khan, which have disappeared already many years ago.

Mian Mehr Ali Khan (1913-1976) of Talwandi Gharana was the father of Muhammad Afzal & Muhammad Hafeez Ali Khan. We have here twice the same recording, first a shorter excerpt in good sound quality, second a longer version unfortunately of very unequal quality.
On the Talwandi Gharana see our previous post.



Niaz Hussain Shami (1924-1972) was a famous Dhrupad singer of Sham Chaurasia Gharana. This Gharana, founded in the 16th century, was till quite recently a Dhrupad Gharana. Only with Nazakat Ali Khan and Salamat Ali Khan and some others it turned into a Khayal Gharana. Even Vilayat Ali Khan, the father of Nazakat & Salamat Ali Khan, was apparently still a Dhrupad singer.
We have here three recordings by Niaz Hussain Shami, all three in Lalit or variants of Lalit.
On the artist see: http://www.thefridaytimes.com/03062011/page28.shtml
On the Sham Chaurasia Gharana:
https://en.wikipedia.org/wiki/Sham_Chaurasia_gharana


In all these recordings Pakhawaj accompaniment is provided by the legendary Ustad Bhai Naseera, one of the greats of the Punjab Pakhawaj Gharana.

As the original recordings have been in mp3 format we offer them here also only in mp3 format.

Wednesday, 28 March 2018

Muhammad Hafeez Khan Talwandi (1933-2009) - Dhrupad from Pakistan - Talwandi Gharana


Here we present two recordings by Muhammad Hafeez Khan Talwandi (1933-2009), who was, together with his late brother, the eminent representative of the Talwandi Gharana, the only Dhrupad Gharana in Pakistan. The recordings, Ragas Bageshree & Jaijaivanti, we downloaded, if I remember right, many many years ago from the website, no longer existing, of the Lahore Music Forum or from Lahore Chitrkar, also no longer existing. 
Orginally Muhammad Hafeez Khan performed with his late older brother Muhammad Afzal Khan as a duo. In 2015 we had posted a cassette by the two brothers. 
Peter Pannke recorded them for the CD "Pakistani Soul" published in 1997 by Wergo: Rag Patdeep (14:08). He also invited them for the Festival "Pakistani Soul - Musik der Sufis aus Pakistan" in Berlin and Munich, also in 1997. This was perhaps the most beautiful Festival I ever saw.

Today's representatives of the founding family of the Talwandi Gharana of Dhrupad vocalists, Labrez Afzal Khan and Ali Hafeez Khan, also known as Talwandi Brothers, are the sons of the two older brothers and are quite active, performing in Pakistan and India. On YouTube one can find a good number of recordings by them.

For a very detailed and fascinating article on the Talwandi Gharana see:
http://www.naseeb.com/journals/dhrupad-in-pakistan-111674

Another fascintaing article. Read from page 147 (page 3 of the pdf):
http://www.global.ucsb.edu/punjab/sites/secure.lsit.ucsb.edu.gisp.d7_sp/files/sitefiles/journals/volume16/no1/9-Obituaries16.1.pdf

For some beautiful recordings see:
https://harmoniummusicblog.wordpress.com/2018/02/03/an-old-tradition-in-the-land-of-the-pure-hafeez-khan-talwandiwale/

mp3

As the original recordings have been in mp3 format we offer them here also only in mp3 format.

Monday, 26 March 2018

Frères Dagar: Nasir Moinuddin Dagar & Nasir Aminuddin Dagar - Inde du Nord - Private CD


Here we have a private CD with beautiful recordings by the Senior Dagar Brothers. And here we have an extreme case of a private CD looking like a real release, in this case an LP published by Ocora, the well known label of Radio France. But for sure it is a private CD and never was published by Ocora. An Indian collector made out of these recordings of unknown sources a private CD and created covers for it. This person seems to take a great pleasure in creating covers and to let them look like real ultra rare releases. Which is sort of funny and sympathetic. And looks nice. But can create some confusion amongst music lovers and collectors.
There are several details proving that this is not an official recording from Ocora:
1. The release date is given as 1977. At that time it was LPs and the tracks are too long to fit on an LP. 
2. The two tracks have very different sound quality and different accompanists, but are supposed to stem from the same concert. 
3. The Dagar Brothers are accompanied in the first track by harmonium, pakhawaj and in the last composition by tabla. In the second track they are accompanied by sarangi and pakhawaj and the track is incomplete and ends abruptly (we made a short fadeout). Ocora would never have published recordings as imperfect. Also the only moment these recordings could have been recorded in France was during their 1964 tour (as mentioned on the back cover), but this tour was organised by Alain Daniélou on behalf of the Unesco and Alain Daniélou as a strict purist would never have allowed the singers to be accompanied on harmonium or sarangi in a Dhrupad performance. On the backcover are given the correct accompanists of the 1964 European tour. But in India it was not unusual for the Dagar Brothers to be accompanied by these instruments, as one can see in other recordings posted by us.
4. The track information is wrong: the first track has after the Alap as a composition not a Dhrupad, but a Dhamar, then in the last few minutes a Tarana in Khyal style with Tabla accompaniment. The second track is neither in Raga Rupashree nor in Raga Shree, as mentioned at another spot on the backside. It sounds like a Hori in Kafi - "Aaj Brij Mein Holi Khelat Nandlal" (different from the one found in the Royal Collection of Mewar CD set). Track information given to us by the Indian collector who shared these recordings. Many thanks to him.
So it is clear that these recordings are not from the 1964 European tour of the Senior Dagar Brothers. And that they were not published by Ocora. They must be recordings done in India at different moments. 
I only know of one other case of someone creating covers to make recordings look like real, but ultra rare LPs. They can be found on the Harmonium blog. See these for example:

I received these recordings from an Indian collector based in the US. Many many thanks to him for his kindness to share these.


Saturday, 24 March 2018

The Hindustani Archives - Dhrupad & Khayal - Pandit Tansen Pandey & Ustad Amir Khan - Private Release


Here we have another outstanding recording by the great master of the Dagarvani, Ustad Hussainuddin Dagar (Pt. Tansen Pandey) (1909-1963), next to Rahimuddin Khan Dagar the only artist of the 18th generation of the Dagars, by whom recordings exist. 
As a filler there is also a piece by the great Ustad Amir Khan, unfortunately of quite bad sound quality. In the near future we plan to post 2 or 3 recordings by him.
This is a private CD. It seems that an Indian collector made out of these recordings from unknown sources a private CD and created covers for it. This person seems to take a great pleasure in creating covers and to let them look like real ultra rare releases. Which is sort of funny and sympathetic. And looks nice. In this case the release looks like a published cassette. But for sure it was never released. 
I received these recordings from an Indian collector based in the US. Many many thanks to him for his kindness to share these.

Thursday, 22 March 2018

Darbhanga & Dagar - Various Artists - Dhrupad Series


Here another private CD with Abhay Narayan Mallik and some artists of the Dagarvani. Amongst the recordings on this CD is an outstanding Alap by Ustad Hussainuddin Dagar (Pt. Tansen Pandey) (1909-1963), next to Rahimuddin Khan Dagar the only artist of the 18th generation of the Dagars, by whom recordings exist. Ustad Hussainuddin Dagar was one of the four sons of Ustad Allahbande Khan (1845-1927) and the father of Ustad Sayeeduddin Dagar.
"Tansen Pande (1908-1963) was born Hussainuddin Khan, the fourth son of Allabande Khan. While most of the members of the Dagar musical family acknowledge their Hindu antecedents, Tansen Pande formally chose to revert to his ancestor’s faith around 1947. He ranks as one of the great Dhrupadiyas of the 20th century." From http://www.parrikar.org/vpl/?page_id=618
There exist a couple of performences by him on YouTube.
I received these recordings including the covers from an Indian collector based in the US. Many many thanks to him for his kindness to share these.

Tuesday, 20 March 2018

Ram Chatur Mallik & Abhay Narayan Mallik - Vrindavan Dhrupad Samaroh, 1983 - Private CD


Here another great recording of Ram Chatur Mallik and his disciple Abhay Narayan Mallik.
This is another private CD, not a commercial one. It seems that an Indian collector made out of these recordings a private CD and created covers for it. This person seems to take a great pleasure in creating covers and to let them look like real ultra rare releases. Which is sort of funny and sympathetic. And looks nice.
I received these recordings from an Indian collector based in the US. Many many thanks to him for his kindness to share these. I received the music of the two CDs as one file, which is probably the original version.



Sunday, 18 March 2018

Hindustani Vocal Music - Darbhanga Dhrupad - Pt. Seyaram Tiwari & Pt. Bidur Mallik


Here we post a private CD with two great singers of the Darbhanga Gharana. By Siyaram Tiwari we had posted already a couple of recordings. See here. By Bidur (Vidur) Mallik we had up to now only one recording from a broadcast by WDR

On Bidur (Vidur) Mallik see:

The recordings here are presented as "A Doordarshan Presentation". Doordarshan is the Indian state television. But the recordings sound more like concert recordings.
The CD was never published. It seems that an Indian collector made out of these recordings from unknown sources a private CD and created covers for it. This person seems to take a great pleasure in creating covers and to let them look like real ultra rare releases. Which is sort of funny. And looks nice.
I received these recordings from an Indian collector based in the US. Many many thanks to him for his kindness to share these.


Friday, 16 March 2018

Darbhanga - Pandit Abhay Narayan Mallik - Dhrupad - Live in Concert


We present here some more beautiful recordings by Pandit Abhay Narayan Mallik. This CD probably was never published. I even don't know if this label ever existed. It seems that an Indian collector made out of these recordings from unknown sources a private CD and created covers for it. This person seems to take a great pleasure in creating covers and to let them look like real ultra rare releases. Which is sort of funny and sympathetic. And looks nice.
I received these recordings from an Indian collector based in the US. Many many thanks to him for his kindness to share these.



Thursday, 15 March 2018

Abhay Narayan Mallick - AIR programs broadcast recently on Raagam


Here we present three beautiful broadcasts from All India Radio, recently recorded from Raagam, the internet radio of AIR, which broadcasts classical Indian music 24 hours a day 7 days a week.

1. Abhay Narayan Mallick - Raga Alahiyah Bilawal - Alap-Jod-Dhrupad Chautaal 
& Raga Abhogi - Alap-Jod-Dhrupad Dhamar Taal (57:52)


2. Abhay Narayan Mallik - Raga Ahir Bhairav - Alap-Dhrupad Choutaal - Bol: Praatah Samay Shyam Sunder Ko Roop Niharak & Raga Todi - Alap-Dhamar - Bol: Pari Aaleeri (57:39)


3. Abhay Narayan Mallik - Dhrupad Gayan - Ragas Bhoop Kalyan, Basant & Rageshri (59:02)


Sunday, 11 March 2018

Siyaram Tiwari (1919-1998) - Recording (1979) from the archives of All India Radio


Here we present a beautiful recording by Siyaram Tiwari, the legendary singer of the Darbhanga Gharana. The recording is from 1979 and contains Ragas Todi and Mian Malhar. I recorded it in november 2017 from Raagam, the internet radio of AIR, which broadcasts classical Indian music 24 hours a day, 7 days a week. Unfortunately at that moment I was only able to record in mp3 format.

In 2011 we posted his only LPWe added now flac files.

On the artist see:
https://en.wikipedia.org/wiki/Siyaram_Tiwari_(musician)
https://siyaramtiwarinadvistar.wordpress.com/2016/08/25/padmashree-pandit-siyaram-tiwari-smriti-sangeet-samiti-nad-vistar-a-journey-so-far/


mp3

Saturday, 10 March 2018

Ram Chatur Mallick - All India Radio recordings (1983) published as a cassette in India in 1990


These recordings exist also on LP: PMLP 3070 (1990). The LP is extremely rare like most of the AIR releases published in 1990 and 1991 by The Gramophone Company of India. As the publication year was already a couple of years beyond the end of the LP in the west, these LPs never made it to the west and even in India apparently they didn't find a wide distribution anymore.
But in India - and sometimes even in the west in Indian shops - in the 1990s one could get these releases as cassettes. This way music lovers who visited India then were able to obtain them and bring them home. From one of these music lovers I purchased recently this cassette.


I apologize for having posted the wrong version of the cassette. In effect I had forgotten that the cassette I purchased recently was quite damaged in the beginning of side 2 as sometimes happens with cassettes. But I have already for many years a rip from my friend KF. And this one is in good shape. I had the intention to post this version together with the scans of the recently bought cassette.
Here now the correct version of the files as originally intendet. Sorry for the inconvenience.


Wednesday, 7 March 2018

Ram Chatur Mallick (1902-1990) - Chant Dhrupad & Dhamar - LP published in France in 1977


Up to now we presented in our Dhrupad Series only members of the Dagar family. Now we turn to some other Dhrupad traditions, first to the one from Darbhanga.

I still remember very vividly how happy and surprised I was when this LP was released. For the first time one was able to hear a completely different Dhrupad tradition. This was a very strong and robust style compared to the one by the Dagars. I loved it immediately. Later, in the 1990s, I was able to visit many concerts by later masters of this Gharana, namely Vidur Mallik and Premkumar Mallik. These singers were so enthousiastic and energetic. It was always a great experience to see them in concert. It was Peter Pannke who brought these musicians reguarly to Germany and Europe and produced quite a number of fantastic CDs by them, first of Ram Chatur Mallik, then by other members of the Mallik family.
But this LP preceded all the work of Peter Pannke. Around the same time I discovered the LP, released in India, by Siyaram Tiwari, another great master of the Darbhanga Gharana, which we posted in 2011. These two LPs were for quite a while amongst my favourite LPs and I still like them very much.

Ram Chatur Mallik was the great old master of the Darbhanga Gharana. The German author, journalist, composer, musician, ethnomusicologist and producer Peter Pannke produced in the early 1980s broadcasts by Ram Chatur Mallik and other singers of the Darbhanga Gharana, recorded at the Dhrupad Samaroh in Vrindaban, India, in 1982. Out of these recordings later a number of CDs were published: first in 1988 the fantastic CD by Ram Chatur Mallik - The King of Dhrupad (unfortunately no longer available for many years) and later a number of other CDs by other members of the family like Vidur Mallik and his sons Ram Kumar Mallik and Prem Kumar Mallik.
Peter Pannke made also a whole series of recordings by Ram Chatur Mallik in 1984/5 in Vrindaban which he released in 2002 as two boxes of 6 CDs each in a very limited edition of only around 35 copies. There were attempts to make them available more widely but unfortunately it never happened.
Next we will post a cassette of AIR recordings by Ram Chatur Mallik, some recordings by Siyaram Tiwari and a number of recordings by the excellent Abhay Narayan Mallik, the disciple and successor of Ram Chatur Mallik, who always gave vocal support to his master during concerts and recordings.

On the artist see:

On the Darbhanga Gharana see:

On Peter Pannke see: