Showing posts with label Tanbur. Show all posts
Showing posts with label Tanbur. Show all posts

Saturday, 4 August 2018

Tanburi Abdi Coşkun - Tanbur Taksimleri - Cassette released in Turkey in the 1980s or 1990s


Here we present excellent recordings by the great Tanbur player Abdi Coşkun. Unfortunately one doesn't find much information on him in the internet except that he was born in 1941 and that he was a student of the great Tanbur master Necdet Yaşar, himself a student Mesut Cemil Bey, the son of Tanburi Cemil Bey. In the booklet to the CD "Turquie - L'art du tanbur ottoman" (VDE-586), which is devoted to the plucked Tanbur, played by Abdi Coşkun, and the bowed Tanbur, played by Fahreddin Çimenli, the author Kudsi Erguner writes that Abdi Coşkun "has distinguished himself by his noble and creative style situated halfway between that of his master and the more traditional one of the famous Izzeddin Ökte." 
There is a biography in Turkish in the internet, which the Google Translator translates unfortunately into quite some nonsense.
The Turkish Tanbur is considered the most important and most noble instrument of Ottoman music. In each generation in the last century there have been only very few great masters of this difficult instrument.

On the instrument see: 

This cassette finishes quite abruptly on side B. We have made the end a little bit more smooth by creating a short fade out.

In 2011 we had posted from the same series a cassette by the great Kemence master Hasan Esen.


flac
mp3



About Izzeddin (Izzettin) Ökte (1910-1991)


Izzeddin Ökte was a famous Tanbur player who represented an old, very traditional style of Tanbur playing. His music was free of influences of the great Tanburi Cemil Bey (1873-1916), who was a very inspired musician with limitless creativity, who not only left an immense influence on Ottoman classical music, but also on many Arabic musicians of several generations. There are a number of CDs available by him. Recently a box of 10 CDs, 1 LP and a book was released by Kalan.
Izzeddin Ökte kept to the old art of Taksim playing and was and is only known to few connoiseurs. I remember still very vividly my first encounter with his music. In the mid 1980s I was in a Turkish bookshop in Berlin Kreuzberg and there was playing wonderful Tanbur music. I asked the owner if this music was for sale. He said that these were his private recordings and showed me a set of two cassettes by Izzeddin Ökte, published by an institution of music lovers in Istanbul. I never was able to obtain these recordings. Much later I discovered on a Turkish website (probably by the same institution of music lovers) these recordings as commercial downloads. But I was not able to download them as one needed apparently a Turkish bank card. See here for the first cassette and the second cassette.
In the meantime there are quite a number of recordings by him on YouTube, also partly those from the two cassettes. Here two beautiful longer collections of his music which I discovered a few days ago:



Thursday, 29 December 2016

Akagündüz Kutbay (1934-1979) - Mevlana - Instrumental Dervish Music - LP published in Turkey in the 1970s





wave
mp3

About the artist see: Wikipedia and Facebook

In 2009 Kalan released a wonderful set of two CDs in a small book:


Aka Gündüz Kutbay (1934-1979) – Ask – 30 yilin özlemiyle…, Book (English text included) + 2 CD: CD 1: Segah Taksim (4:12), Ferahfeza Bas Taksim (Ayinden) (7:02), Acem-Asiran Müsterek Taksim (5:18), Saba Müsterek Taksim (3:01), Saba Pesrev (Osman Bey) (1:57), Saba Seyir (0:57), Hicaz - Saba - Ferahfeza Taksim (6:25), Müstear Taksim (1:30), Rast Seyir (0:53), Hüseyni'den Isfahan'a Geçis Taksimi (3:56), Buselik-Asiran Taksim (2:04), Bayati Taksim (9:34), Saba taksim (3:36), Saba - Ferahfeza - Rast Taksim (8:55), Hüzzam'dan Segah'a Geçis Taksimi (5:42), Müstear'dan Ussak'a Geçis Taksimi (4:40), Saba Bas Taksimi (Ayinden) (4:45), CD 2: Pençgah Bas Taksim (Ayinden) (6:24), Segah Taksim (7:22), Hicaz Pesrev (Veli Dede) (4:07), Hicaz Taksim (3:08), Muhayyer-Sünbüle Taksim (2:21), Nisabur - Ussak Taksim (1:08), Hicaz Müsterek Taksim (1:30), Nihavend Taksim (4:09), Saba'dan Rast'a Geçis Taksimi (2:50), Eviç'den Segah'a Geçis Taksimi (1:24), Evcara Taksim (3:51), Segah Seyir (1:36), Ussak'tan Hicaz'a Geçis Taksimi (8:53), Segah Taksim 2 (2:27), Kürdilihicazkar Taksim (1:15), Rast Taksim (4:20), Segah'tan Rast'a Geçis Taksimi (6:06), Ferahfeza Son Taksim (Ayinden) (1:51), Suzidil Taksim (3:46), Buselik Saz-Semaisi (Beste: Mutlu Torun) (5:33), KALAN, 481-482
Aka Gündüz Kutbay was the most outstanding Ney player of the 2nd half of the 20th century. Excellent recordings. Two CDs in a bilingual (Turkish & English) book of 119 pages.

And another one, together with the legendary singer Kani Karaca:


Kani Karaca (1930-2004) (Vocal) & Aka Gündüz Kutbay (1934-1979) – Mesk - …tükenmeyen istiyak, Book (English text included) + 2 CD, CD 1: Kar-i Natik (Hatibzade Osman Efendi) (29:55), Makam Tarifi (1:59), Eviç-Buselik Taksim (1:40), Eviç-Buselik I. Beste (Ismail Dede) (7:58), Eviç-Buselik II. Beste (Ismail Dede) (2:42), Eviç-Buselik Agir Semai (Ismail Dede) (3:35), Eviç-Buselik Nakis Yürük-Semai (Ismail Dede) (6:08), Hicaz Durak (Haci Arif Bey) (6:37), Nühüft Durak (Güfte: Niyazi Misri, Beste: Ali Sir ü Gani) (4:04), Ferahfeza Sarki (Fehmi Tokay) (3:13), CD 2: Sultani-Irak Taksim (1:53), Sultani-Irak I. Beste (Abdülhalim Aga) (7:35), Sultani-Irak II. Beste (Küçük Mehmed Aga) (6:25), Sultani-Irak Agir-Semai (Abdülhalim Aga) (5:53), Sultani-Irak Nakis Yürük-Semai (Küçük Mehmed Aga) (8:00), Sevk-u Tarab Mevlevi-Ayini (Ismail Dede Efendi) (22:48), Bayati Beste (Moris Kordova) / Ibranice (5:30), Hüzzam Beste / Ibranice (4:15), Segah Sarki (Kani Karaca) (3:45), Kürdilihicazkar Sarki (Kani Karaca) (3:40), KALAN, 483-484
“Mesk” means: master/apprentice relationship. “After Hafiz Ali Efendi and Sadettin Kaynak, Kani Karaca was greatly indebted to Sadettin Heper for a great portion of his musical education. When Heper began to grow old, he encouraged Karaca to continue practicing the music he had taught him with Aka Gündüz Kutbay. There, as he sang the songs he had learned from Heper, Kutbay would serve as Karaca’s “eyes” and together they worked with many pieces. Through the pieces they sang they would do a “makam analysis” and strive to perfect their performance. These “Harbiye Mesks”, with tea and food served by Süheyla Kutbay, would last until late into the night, and were sometimes attended by Abdi Coskun (Tanbur) as well.
Returning from a concert abroad, Aka Gündüz Kutbay brought an AKAI brand tape recorder of recording studio quality, with which he recorded a portion of the pieces he worked on with Karaca in his home.”
Kani Karaca, the legendary blind singer of the Whirling Dervishes, other forms of Sufi music, old classical Makam music and at the same time a famous Qur’an reciter,  was the last great singer of old style Turkish Maqam music - both classical and Sufi – with an immense repertoire of old compositions and outstanding vocal melismatic qualities. Aka Gündüz Kutbay was the most outstanding Ney player of the 2nd half of the 20th century. Excellent recordings of a rare old repertoire. Two CDs in a bilingual (Turkish & English) book of 83 pages.

As always, these can be obtained from info@raga-maqam-dastgah.com

Tuesday, 11 October 2016

Mirror and Song - A collection of 28 cassettes of regional and religious music of Iran published in Iran, recorded in 1994 - Cassette 23: Music from Kermanshah & Hawraman (Oraman)


Side A:
Music from Kermanshah - Sahneh
Tanbur Music
Seyyed Khalil Alinezhad (Alinejad) (1968-2001) - Vocal & Tanbur

Side B:
1. Music from Kermanshah - Guran
Tanbur Music
Ali Akbar Moradi (Tanbur) & Taher Yarveysi (Vocal)
2. Music from Hawraman (Oraman)
Vocal




Seyyed Khalil Alinezhad  was a famous musician of the Ahl-e Haq sect, in which the Tanbur and its music is sacred. See our post http://oriental-traditional-music.blogspot.de/2013/01/seyed-jalaleddin-mohammadian-seyed.html
For infos on the musician see: 
Ali Akbar Moradi is the most famous Tanbur player of Kermanshah. He has many CDs. Taher Yarveysi is an excellent younger Tanbur player and singer. CDs by all these musicians can be obtained from: info@raga-maqam-dastgah.com

Wednesday, 14 October 2015

Turgun Alimatov (1922-2008) & Abror Zufarov - Ustoz va Ustazoda - MP3-CD from Uzbekistan


Here we present the next in our series of MP3-CDs which our dear friend Danny brought a couple of years ago from Uzbekistan. This time an instrumental album by the greatest Uzbek instrumentalist of the second half of the 20th century: Turgun Alimatov, a Sato, Tanbur and Dutar player.
For more infos on the artist see: https://en.wikipedia.org/wiki/Turgun_Alimatov 
This CD also contains music by his student Abror Zufarov. 
The CD contains six folders, three containing 39 tracks by Turgun Alimatov and three by Abror Zufarov.




In 1995 Ocora - Radio France published a CD by him which unfortunately is no longer available:


On her blog Zhuzhu posted a LP by him from 1982:



http://zhuzhulingo.blogspot.de/2011/06/blog-post_24.html

Monday, 17 June 2013

Jalal Mohammadian & Ensemble Tanburnavazan Shams - Regional Music from Bakhtaran (Kermanshah) - Cassette published in Iran end of 1980s or beginning of 1990s


Chaharomin Djashnvareh Mousiqi Fajr 
(4. Fajr Music Festival)

Bakhtaran - Mahali (regional or folk music)
Grouhe (ensemble) Tanburnavazan Shams
Khanandeh (singer): Jalal Mohammadian

Another beautiful recording by Seyed Jalaleddin Mohammadian, named here Jalal Mohammadian.  Accompanied by Tanburnavazan Shams, an ensemble of Tanbur and Daf players. A while ago we had posted another cassette by the same singer accomapnied by the same ensemble. See hereAmerican edition of a cassette originally published in Iran.


"Kermanshah Province (Persian: استان كرمانشاه‎, Ostān-e Kermānshāh ) is one of the 31 provinces of Iran. The province was known from 1969 to 1986 as Kermanshahan and from 1986 to 1995 as Bakhtaran."

Friday, 25 January 2013

Seyed Jalaleddin Mohammadian & Seyed Khalil Alinejad - Ashnayane Rahe Eshgh - Mystical music from Kermanshah, Iran - Cassette from Iran


Seyed Jalaleddin Mohammadian, a singer from Kermanshah, was in the 1980s and 1990s a quite well known classical and mystical (Irfani) singer. He published a couple of cassettes (partly republished as CDs) of classical Iranian music and several cassettes (only one of them published also as CD) with the typical mystical or Irfani music from Kermanshah in Iranian Kurdistan, based on the music of the Ahl-e Haqq sect for which the Tanbur (a long-necked lute) is sacred and plays an important role in their rituals. But in contrast to the ritual music of the Ahl-e Haqq, which is a solist music of a master Tanbur player singing mystical poems from their tradition, Jalaleddin Mohammadian and some other singers like Shahram Nazeri used Sufi poetry by some of the great Persian Sufi poets like Hafiz and Rumi (Molana) and were accompanied by an ensemble consisting of several Tanbur players and several Daf players - the Daf is the big Kurdish frame drum originally used in the Sufi rituals of the Qadiri dervishes. Here we present a very beautiful cassette from the mid 1980s by Seyed Jalaleddin Mohammadian and the famous Tanbur player Seyed Khalil Alinejad (1968-2001). They are accompanied by an ensemble of Tanbur and Daf players.


Side 1 (28:27)
Side 2 (28:59)

Download

Note that on the cover a Tar is pictured, but the instrument played is the Tanbur.
Here a foto of Seyed Khalil Alinejad with his Tanbur.


Raga Maqam Dastgah (contact: info@raga-maqam-dastgah.com) carries a huge selection of CDs of classical Iranian music, music of the Ahl-e Haqq and a number of great Tanbur players. They also have several CDs with the Dhikr rituals of the Qadiri dervishes from Iranian Kurdistan, the origin of the big frame drum Daf. 

Saturday, 17 September 2011

Musique Traditionnelle Turque - Pièces Instrumentales - LP Ocora OCR 56 (1971)


Ulvi Erguner, Akagündüz Kutbay, Dogan Ergin (Ney)
Cinuçen Tanrıkorur (Ud)
Cüneyd Kosal (Kanun)
Ahmet Hatipoğlu (Tanbur)
Nezih Uzel (Bendir)



Side A:
1. Solo de "Mansur Ney" (Taksim - Makam Segah) (7:21)
2. Solo d' "Ud" (Taksim - Makam Segah) (8:25)
3. "Tanbur" et "Ney" (Makam Segah) (4:27)
4. Ensemble Instrumental (Peshrev - Makam Segah) (1:58)


Side B:
1. Ensemble Instrumental (Sazkar Semai - Makam Sazkar) (8:18)
2. Gerdaniye Peshrev (Makam Gerdaniye) (5:19)
3. Aksak Semai (Makam Gerdaniye) (5:06)



Tuesday, 21 June 2011

Ahmed Şahin (Ney & Vocal) - Hoş Sada - Örnek Ezanlar (Samples of Adhan) - Cassette from Turkey


Turkish cassette which gives samples of Adhan
(call to prayer) in different Maqams, preceded by
instrumental improvisations in the same Maqams.

M. Emin, A. Şahin & K. Korucu (Vocal)
A. Şahin (Ney), F. Karakaya (Kemençe), Ö. Özel (Tanbur)

Introduction:
The Call to prayer (Ezan, arabic: Adhan), which invites the Muslims into the Mosque for prayer (Salah), is since centuries a very important part of Turkish Islamic culture.
The call to prayer, which is done five times every day, was performed each time in a different Maqam.
In selecting the Maqam for the call attention is paid to the fact that certain times of the day have an effect on the human soul.
So the human being tastes at different times of the day different melodies of the call of prayer which gives nourishment to the soul.
Mehmet Ali Bakirci