Showing posts with label Dagarvani. Show all posts
Showing posts with label Dagarvani. Show all posts

Saturday, 2 November 2013

Nasir Aminuddin Dagar (1923-2000) & Zia Fariduddin Dagar (1932-2013) - Alap Dhrupad and Dhamar - LP published in France in 1969


Quite rare LP on which Nasir Aminuddin Dagar, after the demise of his older brother Nasir Moinuddin Dagar in 1966 - together they were the legendary Senior Dagar Brothers (see our post) - formed a duo with his cousin Zia Fariduddin Dagar (see on him our post).





Thursday, 9 May 2013

Ustad Zia Fariduddin Dagar passes away on May 8, 2013 - In his memory two recordings from AIR


Ustad Zia Fariduddin Dagar was born in Udaipur, Rajasthan on the 15 June 1932. His father was Ustad Ziauddin Khan Dagar, court musician of the state of Udaipur. He was taught Dhrupad by his father and elder brother, the Veena maestro, Ustad Zia Mohiuddin Dagar.
Ustad represented the 19th generation of the Dagarbani musical tradition and has dedicated his life to the propagation of this art form. He was known for his remarkable command over microtones (swar-bheda), gamak and other alankarans and lakshans.
He has been the recipient of many awards a few of which include the Tansen Samman from the Madhya Pradesh government (1993), the Sangeet Natak Akademi Award (year) as well as the Padma Shri (2012). In 2005, he was awarded the Lifetime Achievement Award by the North American Dhrupad Association. He was the first director of the Dhrupad Kendra, Bhopal and taught there since 1981 for many years.
A large number of well known Dhrupad performers came from this institute under his guidance and tutelage, including the Gundecha Brothers, Uday Bhawalkar, Ritwik Sanyal and Nirmalya Dey. He also taught at Dhrupad Sansar at IIT Mumbai for 5 years. He lived and continued to teach near Panvel at a Gurukul built by his elder brother. He performed widely in India and abroad.
with some modifications from: http://dhrupaduday.com/gurus/

More about the artist:

We were very fortunate to have seen him perform still this year in February at the Dhrupad Festival in Rasa, Utrecht, Holland.

Ustad Zia Fariduddin Dagar and Nirmalya Dey on stage at the Dhrupadfestival.


And here in his memory two recordings broadcast by All India Radio:

1. Raga Bhairav (29:10)
2. Raga Suha (29:29)


Available recordings 
(they can be obtained from: info@raga-maqam-dastgah.com):

Z. Fariduddin Dagar (Vocal), Nirmalya Dey & Yvan Trunzler (Vocal Support) & Shrikant Mishra (Pakhawaj) - The lyrical tradition of dhrupad 9 - Dagarvani: Raga Chalnat: Alap (29:14), Jor (12:27), Jhala (7:12) & Tevra (17:52), MAKAR, MAKCD 039, EUR 8,00
Ustad Fariduddin Dagar is the senior singer of the Ziauddin Dagar style of Dhrupad. As a master performer, he has won over miriads of listeners, as a master teacher, he has trained almost all of the new generation's elite of Dhrupad singers and instrumentalists. Ustad Zia Fariduddin Dagar, born in 1933 in Udaipur (Rajasthan) has been trained by his father Ustad Ziauddin Khan, court musician of the Maharajah of Udaipur. From him he learnt vocal Dhrupad of the Dagarvani style but also sitar, bin and surshringar, and after his demise he learnt with his elder brother, late Ustad Zia Mohiuddin Dagar. As one of the greatest performers of Dhrupad, he has performed in numerous concerts in India and around the world. He is the recipient of the famous Tansen Award, Sangeet Natak Akademi Award, and many more. Ustad Fariduddin Dagar is one of the most prolific teachers of Hindustani classical music: he has trained more than a dozen of Indian and Western dhrupad singers of the new generation like Uday Bhawalkar (MAKCD 008, MAKCD 031), the Gundecha Brothers, Yvan Trunzler, Nirmalya Dey or Monica Lacombe. He is teaching in India: Mumbai (Dhrupad Gurukul, founded by his brother), Bhopal (his own school), Baroda (Madhya Pradesh government's Dhrupad Institute), Bangalore; but also in the West: Conservatory of Rotterdam, and leads numerous workshops around Europe and America. 

Zia Mohiuddin Dagar (Rudra Veena) & Zia Fariduddin Dagar (Vocal), K. Shridhar (Tanpura) – Ragini Miyan Ki Todi – Bombay 1968 - A Rudra Veena & Vocal Duet by Z.M. Dagar & Z.F. Dagar – Miyan Ki Todi – A Morning Raga in the Dhrupad Tradition: Ragini Miyan Ki Todi – Alap, Jod, Jhala (54:11), COUNTRY & EASTERN, CE 19
“The first release with the rudra veena-vocal duet in raga Malkauns was recorded in Ustad Zia Mohiudding Dagar's house in Chembur on the evening of february 4, 1968. On the very next morning he and his younger brother Ustad Zia Fariduddin Dagar recorded the raga that is the female counterpart of raga Malkauns, Ragini Miyan Ki Todi. The name means Miyan's Todi and it is said to have been created by the famous Miyan Tansen, one of the 9 jewels of emperor Akbar's court in the 16th century, as his version of the Todi raga.”

Zia Mohiuddin Dagar (Rudra Veena) & Zia Fariduddin Dagar (Vocal), Ritwik Sanyal (Tanpura & supporting vocals) – A Rudra Veena & Vocal Duet – Raag Malkauns – Bombay 1968 – A Rudra Veena & Vocal Duet by Z.M. Dagar & Z.F. Dagar – An evening Raga in the Dhrupad Tradition: Raag Malkauns: Alap, Jor & Jhala (69:16), COUNTRY & EASTERN, CE 02


Friday, 23 December 2011

Dagar Brothers: Nasir Zahiruddin Dagar & Nasir Faiyazuddin Dagar - Dhrupad - Double LP Loft 1006/7 (Germany 1983)


 (Junior) Dagar Brothers:
Nasir Zahiruddin Dagar (Vocal) &
Nasir Faiyazuddin Dagar (Vocal)
Gopal Das (Pakhawaj)

Side 1:
Raga Darbari Kanada - Slow Alap (25:03)


Side 2:
Fast Alap & Composition "Sajana bina khelata"
in Dhamar Tal (14 Beats) &
Raga Adana - Composition "Shiva Shiva Shiva
Shankara Adideva" in Sultal (10 Beats) (22:26)


Side 3:
Raga Bihag - Alap (26:01)


Side 4:
1. Composition "Sundara hogayi"
in Chautal (12 Beats) (13:42) 
2. Raga Kedar - Short Alap, Composition "Bhajre
man Vishvanatha" in Chautal (12 Beats) (11:05)




There is on the original LP on side 3 at just before min. 10 a gap of 3 seconds. All copies of this LP show the same fault. My friend LF from Scotland corrected this and cleaned the LPs. Here what he says: "I have prepared a cleaned up version, where the gap has been removed and it is very difficult to hear the join (unless you're listening hard for it). Also all the pops and crackles have been removed. The music is brilliant and the sound is very good."
Many thanks, LF. We offer here now his versions, as flac and mp3 files.

Saturday, 30 July 2011

Ustad Rahim Fahimuddin Dagar (1927-2011) passes away.

Dhrupad maestro Fahimuddin Dagar dies

A golden voice of Indian classical music has fallen silent with the death of Ustad Rahim Fahimudddin Dagar, a doyen of the Dhrupad school who was said to be a descendent of legendary Mughal musician Tansen’s guru. He was 84.
Dagar died here Wednesday night after battling a long illness at a private hospital, dealing a blow to one of India’s oldest musical ‘gharanas’ that he and his illustrious clan were instrumental in taking to younger audiences across the country and abroad.
Dagar had been admitted to hospital April 23 after a paralytic attack.
The vocalist was a senior exponent of the Dagar Vani Dhrupad school of music. He kept the historic legacy of dhrupad alive with unforgettable performances spanning more than the last six decades.
Dagar is survived by a wife and a daughter.
He was awarded the Padma Bhushan in 2008 and was honoured with the Sangeet Natak Akademi Ratna Puraskar in 2010. He was born in Alwar, Rajasthan, in 1927.
http://www.pravasitoday.com/dhrupad-maestro-fahimuddin-dagar-dies

In his memory:
Raga Bhoopali: Alap & Dhrupad in Choutal & Raga Khamaj: Dhamar (80:03) rendered by Ustad Rahim Fahimuddin Khan Dagar live in Santa Fe, USA in 1985:

Download

Original uploader: Irfan Zuberi. 

Monday, 13 June 2011

Senior Dagar Brothers - Music of India - Vol. 5 - LP Columbia C 062-80105 - French edition of EALP 1291


Dagar Brothers: Ustad Moinuddin Khan & Aminuddin Khan
Mridang (Pakhawaj): S.V. Patwardhan

Side 1:
Alap - Raga Darbari Kanada (18:17)


Side 2:
Dhamar - Raga Darbari Kanada (8:17)
Dhrupad - Raga Adana (9:21)




This is - as promised to Bolingo - the French edition of the same LP of which he had posted two Indian pressings.