Showing posts with label Raga Bageshri. Show all posts
Showing posts with label Raga Bageshri. Show all posts

Saturday, 28 March 2015

Gharanon Ki Gaiki - Vol. 9 - Fateh Ali Khan - Vol. 1 - Patiala Gharana


Next we have three cassettes by the great, very charismatic Patiala singer Ustad Fateh Ali Khan. I'm personally very fond of him and his emotionally charged voice. For me it is like old vine: makes you drunk. Such beautiful recordings. There have been quite a number of CDs by him, some still available (for example from: info@raga-maqam-dastgah.com).
See here our earlier post of a cassette by him.



On the artist see:
http://www.travel-culture.com/pakistan/music/ustad-fateh-ali-khan.shtml
and especially this beautiful article in three parts:

Sunday, 2 November 2014

Nikhil Banerjee (1931-1986) at WDR, Cologne, Germany - Broadcasts recorded 1971, 1975 and 1984




CD 1:
Raga Bageshri (27.11.1971)
This recording was published by Chhanda Dhara on CD:
Nikhil Banerjee - Alltime Classics - CD 1 (SNCD 701/02)
(now no longer available)

Download CD 1 & Scans - wave
Download CD 1 & Scans - mp3

CD 2:
Raga Pilu (17.8.1975)

Download CD 2 - wave
Download CD 2 - mp3

CD 3:
Raga Desh (studio recording by WDR on 10.11.1984)

Download CD 3 - wave
Download CD 3 - mp3

CD 4:
Raga Mishra Khamaj
Ragas Pilu & Suha Sugharai (10.11.1984)

Download CD 4 - wave
Download CD 4 - mp3

CD 5:
Commentaries on Indian music given by Nikhil Banerjee
after the studio recording of Raga Desh (see CD 3)
(studio recording by WDR on 10.11.1984. Moderator: Jan Reichow)

Download CD 5 - wave
Download CD 5 - mp3

Many thanks to KF for the recordings and the covers.

Thursday, 17 April 2014

Balaram Pathak (1926-1991) - Sitar & Surbahar - Live in Amsterdam - Cassette published 1986 in Holland




Many thanks again to Danny for sharing this cassette.


Legendary Late Pandit Balaram Pathak

'This great musician was also a great man. His real simplicity and unaffected manners, his laughing and mischievous eyes from which a child-like purity filters out, are eloquent enough. In one word: he is a true Artist.'
Late Pandit Balaram Pathak is one of the most important sitar players of the former generation. He influenced many sitar players and got recognized by many great musicians for his unique style.
Pandit Balaram Pathak's family traces ancestral tradition to Gopal Nayak; Lt. Pt.Ramgovind Pathak, the renowned musician, sitarist and surbahar player.
His family was of refined musical stock, his Great Grand father Lt. Pt. Dinanath Pathak was a great Dhrupadi. Pt. Balaram Pathak is acknowledged as one of the greatest sitar players in Northern Indian music in India. He was born on November 5, 1926 in Balia, Uttar Pradesh. He learned the art of playing on sitar and surbahar in his early childhood under his talented father. From the age of ten he practised sitar and surbahar eighteen hours a day for the next sixteen years, learning Sur-singar (instrument) and vocal music. At the age of twelve he gave his first public performance at Murshidabad, West-Bengal.
Balaram Pathak's debut concert dates back to 1938. As a winsome boy in his early stages, he played with rare artistry creating unprecedented sensation and great impact on the master musicians.
At a very early age he became the court musician of Maharaja Kamla Ranjan Royin Kasim Bazar, Murshidabad, West-Bengal. His talent has been able to graft all the finer points and subtleties of Dhrupad and Khayal in the instrument.
Balaram Pathak's style consisted of a unique combination of the qualities of novelty and perfection in exposition of the Indian ragas. His alap, meends, mukris, gamaks, zamzamas, ulta zhala created an atmosphere of ideas and feelings which was at once serious and moving. Pathak's individual talent along with the tradition of this Gharana has produced a living legend. Based on his extensive and erudite research of the Carnatic (South Indian) and North Indian styles of music he had made immense contribution to classical music by way of his compositions and introductions of new Ragas like Latangi, Charukeshi, Sanmukh-priya, Amrit-versa, Bakra-madhama Tori, Mukhari, Lilawati, Ahiri etc.
Awarded of 'Sur Sadhak' title from Calcutta Conference, he had two discs to his credit. Pandit Pathak renders even rare and difficult ragas with commendable fluency, and will be held in high esteem in the minds of true music lovers.
After having been nominated for the head of the department in the Music faculty of Khairagar University in Madhya Pradesh for some years, Balaram Pathak shifted in 1980 from Calcutta to New Delhi. Balaram Pathak participated to the most prestigious annual music festivals of the country and has been regularly performing for All India Radio (A.I.R. Calcutta, A.I.R. Delhi).
Specially delegated by the 'Government of India', Pandit Pathak visited the European countries. He was awarded the prestigious Sangeet Natak Academy Award in 1989. He has a unique credit of inventing the 'Raag Bahadur Shastri', dedicated to our late Prime minister, Lal Bahadur Shastri.
Pandit Balaram Pathak expired on 15th February 1991, in New Delhi.
Patrick Moutal 1986 (Ocora LP 558 672-73)
from: http://www.ashokpathak.com/Ashok_Pathak_pages/Balaram_Pathak.html

Wednesday, 4 July 2012

Hirabai Barodekar (1905-1989) - Facets of Kirana Gharana - An All India Radio Release - LP PMLP 3018 (1988)


Hirabai Barodekar (1905-1989) was one of the two great ladies of the Kirana Gharana, the other one being Roshan Ara Begum from Pakistan. We will post next an LP by her. Hirabai Barodekar, the daughter of Abdul Karim Khan, studied under her uncle Abdul Waheed Khan and her talented brother the late Sureshbabu Mane.

Side 1:
Raga Ramkali (26:39)


Side 2:
Raga Bageshri (26:40)