Showing posts with label Mugham. Show all posts
Showing posts with label Mugham. Show all posts

Thursday, 6 December 2012

Mugam Trio Djabbar Karyagdyoglu - Mugam from Azerbaijan - LP from 1991


Zakhid Kuliev - Vocal, Naqara
Mokhlat Muslimov - Tar
Fakhratdin Dadashev - Kemanche

Zakhid Kuliev - his name is transcribed sometimes as Zahid Guliev or Quliyev - is
next to Alim Qasimov perhaps the singer with the most amazing and beautiful
voice of his generation.

Side 1
Maxur – Xindi (Mahur-Hindi)
(folk music – A.Vakhid) – 22.26


Side 2
Simai – Shems
(folk music – D.Vasif) – 10.30
Heiraty – 6.45
Gyullyu Gafiya – 3.18
(folk music and text)



Download

Liner notes:
Classic Azerbaijani “mugam” dates back to a long history. It was developed, polished and passed from mouth to mouth. The only thing that wasn’t changed is the creative task of bearers of mugam, which comprises the ability of joining the strict rules of formations and freedom of its interpretation. A mugam performer sings and plays traditional variant of classical composition while demonstrating at the same time his ability of improvisation to listeners that adds a unique colour to the sounds of popular melodies.
Traditional mugam ensemble is a trio, casting a singer-hanende and performers on Azerbaijani national musical instruments “tare” (stringed) and kyamanche (bow). Drumming (“def”) party of music is performed by a singer himself.
From the earliest times Azerbaijani mugam art presents three main performing schools – Karabakh, Shirvan and Baku. Each of them added their amazing tints to the development and formation of this Azerbaijani “dastgyakh”.
The performance of “dastgyakh” can be compared with climbing to the Everest from all slopes by the strongest, skilled and well trained professionals.
Mugam trio named after Djabbar Karyagdyoglu offers organic blending of tastes of two schools: lower-Karabakh (in its turn Karabakh School has three trends: gorno- (mountain), middle- and lower-Karabakh) – singer-hanende Zakhid Guliev and Baku stringed musical instrument player Mokhlat Muslimov, and a bow player Fakhratdin Dadashev. Each of them, possessing an impressive individual performing aspect, tactfully locates the orientation of the improvisatory fantasy of a partner in the ensemble.
A repertoire of classical Azerbaijani mugam ensemble consists of mugams, zerbi-mugams, Azerbaijani-mugams and even traditional ashug (Caucasian folk) melodies.
Ancient land of Azerbaijan has been always generous with talents. Majority of them glorified this beautiful land to the world, entering to the golden foundation of world musical art. Safiaddin Urmevi, Abdul Kadyr Maragi, Uzeir Gadjibekov, Sadykhdjan, Djabbar Karyagdyoglu, Mirza Mamed Gasan, Kurban Primov, Bakhram Mansurov and other Azerbaijani musicologists and performers are the stars of “mugam galaxy”. Undoubtedly, we are the spectators of appearance of new stars, flaring with special glitters.
Gasan Adigezal-zade

Many thanks to Berdak Bayimbetov for the translations and transcriptions, especially the big work of translating the liner notes.

Monday, 1 October 2012

Bahram Mansurov (1911-1985) - Azerbaijani Mugam - Unesco Collection - Musical Sources - LP published in 1975


Another wonderful LP by the great master of Azerbaijani Tar, the only one published in Europe. Later republished on CD as part of the Unesco Collection from Auvidis/Naive, but no longer available for many many years. As accompanist you can hear him here.

Side 1:
1. Mugam Bayati-Isfahan (5:31)
2. Mugam Humayun (8:32)
3. Mugam Nivanishapur (4:58)
4. Mugam Shur (9:08)


Side 2:
1. Mugam Mahur-Hindi (11:58)
2. Mugam Bayati-Kurd (6:49)
3. Mugam Chahargah (9:04)



Friday, 14 September 2012

Bahram Mansurov (1911-1985) - Tar - LP Melodiya M 30 47333 001 (1986/88)


Beautiful recordings by the last great traditional master of the Tar in Azerbaijan.
See for more information on him:

Side 1:
1. Shushtar (7:33)
2. Rahab (7:21)
3. Homayun (4:34)


Side 2:
1. Khojaste (5:08)
2. Zabol (9:19)
3. Vilayati-Dilkash (6:02)



Tuesday, 26 July 2011

Azerbaijan - Zerbi-Mugams and Shikeste - Seid Shushinsky (1889-1965) - Alim Qasimov - Shovket Alekperova - Gyulkhar Gasanova - Double LP Melodiya M30-48473 005 (1989)




LP 1

Side 1:
1. Seid Shushinsky - Arazbary (12:35)
2. Seid Shushinsky - Mansuriya (4:42)


Side 2:
1. Alim Qasimov - Simai-Shems (9:56)
2. Alim Qasimov - Mani (6:52)


LP 2

Side 3:
1. Alim Qasimov - Eiraty (11:19)
2. Alim Qasimov - Ovshary (4:25)
3. Alim Qasimov - Eidari (2:54)


Side 4:
1. Shovket Alekperova - Kesme Shikeste (9:23)
2. Gyulkhar Gasanova - Karabakh Shikesti (5:03)




Zerbi-Mughams and Shikeste are rhythmic Mughams and form a small group of independent Mughams. Some Zerbi-Mughams used in the 19th century are still performed: 'Garabag shikestesi', 'Shirvan shikestesi', 'Kesme shikestesi', 'Zerbi-Samayi-Shams', 'Zerbi-Mansuriyye', 'Arazbare', 'Ovshari', 'Mani', 'Heyrati'  and some others.
In Jean During's book "La Musique traditionnelle de l'Azerbayjan et la science des Muqams" is a chpater devoted to this special form of Mugham. The book can be obtained from: info@raga-maqam-dastgah.com

Seyid (Seid) Shushinski (Mir Movsum Aga Seyid Ibrahim Oglu’s stage name) was born in 1889 in Horadiz village of Shusha region and died there 1965. He was one of the most important Khanende (singer) in the first part of the past century. Many great singers, like Khan Shushinski and Yaqub Memmedov, were students of him. He represents the style of Qarabag.