Abhay Narayan Mallick - Gauhar - The Pearl of Darbhanga Dhrupad - Cassette published in India in 1998

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Addition on 21st of June 2017:

A friend made the following remark:

"I think there is some discrepancy between the music and what is stated in the cover which was included, and I thought you might be interested to know. The cover said there were three tracks Jaijaiwanti, Desh & Malkauns. The download from your blog does indeed have three tracks, but in fact tracks 1 & 2 are the same music, track 1 fades out, and track 2 fades in, at almost the same place (so easy to splice together). They are both Jaijaiwanti. The third track is Desh and there is no Malkauns. I suppose this is a problem with the original tape, as the tracks are exactly the same on MusicIndiaOnline."

Thank you very much. I agree completely. So the second track is the continuation of the Raga Jaijaiwanti on the first side.

Kalyani Roy (Sitar) & Ali Ahmed Hussain (Shehnai) - Soul of India - LP published 1968 in the US

"Born on April 29, 1931, sitarist Kalyani Roy is one of the few major women instrumentalists in her genre, with a career spanning 50 years. Kalyani is a disciple of Ustad Vilayat Khan and has had training from other masters, including percussion genius Pandit Jnan Prakash Ghosh. Kalyani`s immediately identifiable sitar tone is a unique variant of the Vilayatkhani sound, her style mixes a vibrant rhythmic approach with Vilayat Khan`s lyricism.

She performs regularly on Radio, Television and was a regular participant at music conferences both in India and abroad. She made a number of disc records, both solo as well as duet with Radhika Mohan Maitra. In addition to Ustad Vilayat Khan and Jitendra Mohan Sen Gupta, she studied also under Shauqat Ali Khan and Karamatullah Khan for a brief period. She is also a teacher of repute."

from: http://suman-bhattacharya.webs.com/gurus.htm

"Ustad Ali Ahmed Hussain Khan (21.03.1939 – 16.03.2016) was one of the veterans and maestros of the shehnai - an instrument which is an integral part of Indian Classical musical culture. Ustadji was influential in taking the instrument out of wedding receptions and other social functions to the concert stage as well as to various international destinations. 

He applied his unique and innovative style and reinvented the form of the shehnai by way of its application in gayaki, sur meend, pukaar, tantrakari, baat ki taan, sapat ki taan, jod and jhala, taking it to a new level of performance.

It was to Ustadji’s immense credit that he ventured to play on the shehnai many ragas that were traditionally not played on this instrument." 

from: http://www.itcsra.org/sra_news_views/obituary/ali_ahmed_hussain_khan.html

A special feature of this LP is the tabla accompaniment by a very great, but less known master: Afak (Afaq) Hussain Khan. He is considered by connoisseurs to be one of the greatest tabla masters ever.

"Afaq Hussain Khan (1930–90); Lucknow tradition - Afaq Hussain Khan, the son of Wajid Hussain, was my teacher and – despite my inherent bias – the greatest player I have ever heard play live. He was widely acknowledged by musicians and connoisseurs as a true master: exceptionally knowledgeable, technically supreme, and inherently musical – a musician's musician! He played with clarity, sweetness, and a refined, balanced sound. Some would say that his approach to sound production was a philosophy in itself." 

from: http://artoftabla.blogspot.de/p/tabla-maestros.html

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Bahram Mansurov (1911-1985) - Tar - Azerbaijanian Mugams - LP published in Soviet Azerbaijan in 1974

Here we present another LP by the great Tar player Bahram Mansurov of whom we posted already two other LPs: see here and here. This LP here has partly the same tracks as the one published by Unesco. Apparently they took the recordings from existing Melodiya LPs. On this LP here the tracks on side 1 are identical with the tracks 5, 6 & 1 on the Unesco LP and tracks 1 & 3 on side 2 with tracks 7 & 3 on the Unesco LP. Only tracks 3 & 4 are new. Bahram Mansurov was also present on the two previous posts of Azerbaijanian Mugam.

Side 1:

1. Mahur Hindi

2. Bayati Kord

3. Bayati Isfahan

Side 2:

1. Chahargah

2. Shushtar

3. Neva-Nishapur

4. Choban Bayati

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A couple of years ago a LP by Bahram Mansurov from 1959 was republished on CD in Iran by an association of record collectors:

Bahram Mansourov (1911-1985) (Tar) – Tar Solo - Tar solo recorded on 33 RPM in 1959: Mahur-e-Hendi (8:58), Segah (5:20), Shahnaz (7:22), Bayat-e-Shiraz (10:17), Rast (12:56), Awaye-Mehrabani Institute of Culture & Art – Music in Iran cultural area (9) - Azeri music 4, AWA 070

The CD can be ordered at: info@raga-maqam-dastgah.com

Djanali Akperov sings Azerbaijanian Mugams - LP published in Soviet Azerbaijan in 1982

Here we present a LP by one of the greatest Mugam singers of the second half of the 20th century. In the last post there were already four pieces by him. Maison des Cultures du Monde in Paris published in 1996 a wonderful double CD by him, which is still available on their website: here

Here part of their liner notes:

"The mugham, the classical music of Azerbaijan, holds pride of place among the oriental music for its beauty, its power of expression and its extraordinary vitality. Although this music is monodic and modal, each musician, whether singer, lute (târ) or bowed lute (kemânche) player, enjoys a great freedom of interpretation which provides its special depth. The mugham offers, at one and the same time, outstanding diversity and unity: the alternance of compositions and semi-improvisations, of free and regular rhythms, of joyful and sombre moods, is balanced by the smoothness with which all these elements are linked together without interruption.

Born in the 1940s, Djanali Akberov learnt music from his family. Then, he followed Syed Shushinski's courses at the Zeynali School of Music, while he became impregnated with the art of Khân Shushinski through his concerts and radio broadcasts. Hence, Djanali Akberov is an heir of the two greatest singers of the first half of the 20th century and an outstanding figure in Azeri classical music. Despite his age of 50 when these recordings are made, Djanali maintains the qualities of voice tone and vocal suppleness of a young singer with, in addition, an understanding, a depth of interpretation that only comes with maturity."

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Azerbaijan Mugams Destgakh - Box of 4 CDs containing a box of 5 LPs published 1989 in Azerbaijan plus another LP

In the mid 1990s a friend lent me from his collection a box of 5 LPs of Mugams from Azerbaijan plus a single LP. Unfortunately I don't remember anymore if it was a friend from Amsterdam or from Berlin. Both had (and have) quite a collection of Melodia LPs from Azerbaijan, Uzbekistan and other Soviet Oriental Republics. A friend digitized the LPs, scanned the covers and made out of them a four CD box. The LP box "Azerbaijan Mugams Destghakh", published in 1989, consists of 7 LPs, but the one we got had only 5 LPs. The LPs 1 and 5 were missing. The singers are the greatest and most traditional of the second half of the 20th century. In the booklet the biography of Janali Akparov is missing. The 5 LPs of this box are here on the first 3 CDs:

CD 1: Alim Ghasimov (Qasimov) - Bayat-i-Kurd & Aqakhan Abdullaev - Bayat-i-Shiraz (LP 2), Janali Akparov - Cargah & Yakup Mammadov - Zabol-Segah (LP 3).

CD 2: Janali Akparov - Orta Mahur, Dugah & Kurd Shahnaz (LP 4), Arif Babayev - Humayun (LP 6, side A).

CD 3: Arif Babayev - Rast (LP 6, side B), Aqakhan Abdullaev - Rahab & Bayat Qajar (LP 7).

CD 4 contains a LP of two less known, but excellent singers.

CD 1 & Scans - wave

CD 2 - wave

CD 3 - wave

CD 4 - wave

CD 1 & Scans - mp3

CD 2 - mp3

CD 3 - mp3

CD 4 - mp3

Aghakhan Abdullayev - Dorna - Musiqi Sanati Azerbaijan (Art Music of Azerbaijan) - Cassette published in Iran

Aghakhan Abdullayev (Aqakhan Abudllaev) is one of the most important and most traditional Mugham singers of Azerbaijan. Born in 1950, he is a student of the great Haji Baba Huseynov (1919-1993) and is regarded as the guardian of Mugham. He is also one of the most important teachers. Amongst his students is the famous Alim Qasimov. Here we present a cassette recorded and published in Iran. A wonderful CD has been published in France by Inédit - Maison des Cultures du Monde. 

See: http://www.maisondesculturesdumonde.org/node/238

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Cheikh Mouhammad Farid Al Sindyouni (1912-1955) - Le Coran - LP published in Beirut, Lebanon, in 1976

Here as a small tribute to the holy month of Ramadan a LP by a less known Qur'an reciter from Egypt:

Sheikh Muhammed Farid al-Sandyouni (محمد فريد السنديوني)

(1912 - 1955) 

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Ari Babakhanov - Shashmaqam of Bukhara - Cassette from Uzbekistan

Ari Babakhanov (born 1934) is a wellknown renewer of the old Shashmaqam of Bukhara. See: https://en.wikipedia.org/wiki/Ari_Babakhanov

See also our last post containing recordings by his grandfather and his father: http://oriental-traditional-music.blogspot.de/2016/05/buxarskie-klassiki-classical-music-of.html

In 1998, RASA in Utrecht, Holland, organized a tour by the ensemble and I still remember very vividley, how I accompanied the tour with a CD desk and was taken by the music with each of the 5 or 6 concerts more and more and how sad I was at their last concert that the tour was finished. This is a music one has to grow into and the more one does the more rewarding it becomes.

The same year 1998 the ensemble also went in Holland into a studio and recorded a magnificent CD:

The CD is available at: info@raga-maqam-dastgah.com

I bought this cassette from the musicians at a more recent concert, maybe about 10 or a little more years ago, also in RASA.

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Buxarskie Klassiki - Classical Music of Bukhara - MP3-CD from Uzbekistan

Here we present another wonderful MP3-CD from the collection of our dear friend Danny, containing famous singers from Bukhara, basicly trained in Shashmaqam, all from the Jewish community of Bukhara. The CD contains five folders:

1. The Family of Babakhanovs: Levi Babakhanov (1873-1926) and his son Moshe Babakhanov (1910-1983). There grandson and son Ari Babakhanov (born 1934) is today the most famous and most authentic interpreter of the Shashmaqam. See: https://en.wikipedia.org/wiki/Ari_Babakhanov. There is a wonderful CD by him and his ensemble, first published in 1999 on the Dutch label  New Samarkand Records, later republished by Pan Records. It is available from info@raga-maqam-dastgah.com. We will post soon a cassette by him.

2. Barno Isxakova (Ishakova). We posted recently a MP3-CD by her here. The material here seems to be more or less completely also on that MP3-CD.

3. Berta Davidova. We posted a MP3-CD by her here. The material here seems to be more or less completely also on that MP3-CD.

4. Gabriel Mullaqandov, a great Bukharian Shashmaqam singer.

5. Boris Namateyev (Namatiev), a well-known Shashmaqam singer, who lived in Dushambe, Tajikistan.

Family of Babakhanovs

Barno Isxakova (Ishakova)

Berta Davidova

Gabriel Mullaqandov

Boris Namateyev (Namatiev)

Qurbon o'lam - Four singers of the Shashmaqam of Bukhara, Uzbekistan

Here we present a MP3-CD from Uzbekistan with four singers of the Shashmaqam of Bukhara.

"Bukharian Jewish singer and Honored Artist of Uzbekistan Isoq (Isak) Katayev sings various traditional SHASHMAQOM songs in the Tajik (Central Asian Persian) language. These songs are known throughout the world of knowers of Shashmaqom music (or the folk music of Central Asia - Uzbeks, Tajiks, and Bukharian Jews). Katayev was quite popular in Uzbekistan, Tajikistan and the USSR. He worked for many years on the State TV and Radio of the Uzbek SSR with many famous performers where he later was bestowed with the title Honored/Merited Artist of the Uzbek SSR (Uzbekistan). He was a great master of traditional Uzbek and Tajik Music and Shashmaqom. After immigrating to the United States in the 1990's he joined the Ensemble "Shashmaqom" (under the leadership of Fatima Kuinova, Honored Artist of Tajikistan) and later Ensemble "Maqom" (under the leadership of Ilyas Mallayev, Honored Artist of Uzbekistan) with whom he travelled and performed all over the world. Sadly, he passed away in 2006 and is buried at the Bukharian Jewish section of a Long Island, New York Jewish Cemetery. His memory will never be forgotten, may he rest in peace!"

Izro (Ezro) Malakov is another Jewish Shashmaqam singer who after a successful career emigrated to New York. "People's Hofiz (Singer) EZRO MALAKOV. Born in Shahrisabz, Uzbekistan, he is a singer of traditional Bukharian Jewish and Central Asian songs as well as the cantor at the Beth Gavriel Bukharian Synagogue in Forest Hills, NY, USA."

Both these singers were present on the CD: "The Ilyas Malayev Ensemble - At the Bazaar of Love - Timeless Central Asian Maqam Music", published 1997 in the US by Shanachie and unfortunately for many years no longer available. 

The other two singers, Karim Mo'minov and Siroj Aminov, are a generation older than the first two and don't seem to belong to the Jewish community. They were members of the ensemble which under the direction of Yunus Rajabi recorded the legendary complete Shashmaqam, published in the first half of the 1960s . See our post of this box of 16 LPs here. 

The MP3-CD contains four folders, one for each of the four singers. They can be downloaded separately.

ISOQ KATAYEV + Scans

IZRO MALAKOV

KARIM MO'MINOV

Siroj Aminov

Many thanks again to our dear friend Danny who brought this CD from a trip to Uzbekistan.

2 Ragas - LP published 1969 in Sweden

Here the promised LP with another side by Damodarlal Kabra and Manju Bhatt. See the one before here. Recorded in Jodhpur, India, in 1968 by Deben Bhattacharya. About the flutist on side 2 I don't know anything.

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The Sitar of India - LP published in UK in 1971

Here we post a LP published in "The Living Tradition" series, recorded in India in 1968 by Deben Bhattacharya. This LP is interesting mainly because it contains one of the very few recordings of the great, but unfortunately little known Sarod player Damodarlal Kabra, the older brother of the famous Slide Guitar player Brij Bhushan Kabra. Damodarlal Kabra was the very first student of Ali Akbar Khan during the time when he was court musician in Jodhpur. That was in Ali Akbar Khan's early twenties. On Damodarlal Kabra see here.

We had already posted in 2013 a LP with one side by Damodarlal Kabra, also recorded in 1968 by Deben Bhattacharya. See here. Next we will post another LP published in Sweden, also with one side by him and Manju Bhatt, recorded at the same time as this one. 

Manju Bhatt, later after marriage known as Manju Mehta, with whom he plays here a Jugalbandi, was at that time completely unknown. She is the older sister of Vishwa Mohan Bhatt and studied with Damodarlal Kabra and Ravi Shankar. In the last years a couple of CDs by her were published in India and UK. She also was the co-founder of one of the biggest festivals of Classical Indian Music in India, the Saptak Festival. 

On side B there is another important, but little known musician: Umashankar Mishra, one of the very first students of Ravi Shankar and a very fine musician. On him see here. One would have wished that Deben Bhattacharya would have recorded a solo performance by him.

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