Showing posts with label Pakistan. Show all posts
Showing posts with label Pakistan. Show all posts

Saturday, 6 May 2017

Hamid Hussain (1923-1980) & Zahid Hussain - Sarangi - LP released in Pakistan in 1975


We start now to post a series of five LPs by great masters of the Sarangi from Pakistan. After that we will post two more recordings from Pakistan, which was a true treasure house of classical Raga music up to the early 1980s.
We start with an LP by Hamid Hussain, one of the greatest Sarangi players of the past century. Here he plays Jugalbandis (duets), on side 1 with his younger brother, also a Sarangi player, on side 2 with Sharif Hussain, the leading Sarod player in Pakistan at that time. It seems that Sarod always was a quite rare instrument in Pakistan.
We had already in July 2011 posted an LP by the artist. See here.
The book "Master Musicians of India - Hereditary Sarangi Players Speak" by Regula Burckhardt Qureshi contains a wonderful chapter on and by Hamid Hussain (pages 269 to 289), the most fascinating part of the whole book.  




wave
mp3

“Ustad Hamid Husain belonged to the illustrious Muradabad Gharana of sarangi players. He was born in Rampur in 1923. Soon after his birth, his grandfather Haider Husain Khan along with father Abid Husain joined the court of Rampur. The young Hamid received his initial training in sarangi from his father and grandfather. He also got training in sarangi from his maternal unclce Ustad Ali Jan of Rampur.
Hamid Husain joined the All India Radio, Delhi when he was only 15 years old. After the death of his grandfather, he shifted to Bombay in 1939. It was during his tenure there that Noor Jehan as a teenager was auditioned and sang for the first time on Radio accompanied by Hamid Husain. In 1943 he went on an extensive tour of Europe where he gave solo sarangi performances.
Ustad Hamid Husain accompanied most of the senior vocalists of his time including Ustad Fayyaz Khan, Ustad Amir Khan, Begum Akhtar (Akhtar Bai Faizabadi), Roshan Ara Begum, Ustad Nazakat Ali-Ustad Salamat Ali Khan and Ustad Amanat Ali-Ustad Fateh Ali Khan. He had enjoyed a lengthy association with Ustad Bade Ghulam Ali Khan. After independence in 1947, he joined Radio Pakistan, Dacca and was later transferred to Karachi where he served until his death.
In addition to the knowledge he gained from his own gharana, the experience of accompanying various vocalists of different gharanas enhanced his scope and from a young age, Hamid Husain became a storehouse of traditional compositions (bandishein).
Apart from his artistic excellence, Ustad Hamid Husain was one of the few musicians who were foremost in promoting classical music by generously transferring the art to non-professional learners. He never kept anything away from his disciples. The long list of his professional and amateur students includes Dinaz Minwala, M. Iqbal, Dr Regular Burckhardt Qureshi, flautist Ustad Salamat Husain and Habib Wali Mohammad.
The Ustad was closely related to legendary giants Ustad Mushtaq Husain Khan and Ustad Ahmad Jan Thirakwa Khan. Other famous musicians of his gharana are his younger brother late Zahid Husain (Karachi), his cousin Ustad Sabri Khan (Delhi), his nephew Murad Ali (Delhi) – all sarangi players – and Ustad Zameer Khan (tabla player). Ustad Hamid Husain Khan died in Karachi in 1980 at the age of 57.”
[Late vocalist & composer Ustad Nihal Abdullah was Ustad Hamid Husain’s brother-in-law (sister’s husband, behnoi).]
from: https://sarangi.info/sarangi/hh/

Thursday, 5 January 2017

Ustad Fateh Ali Khan (1935-2017), the great singer of the Patiala Gharana, passed away on 4th of january 2017. May he rest in peace.


Ustad Fateh Ali Khan, the legendary and very charismatic singer of the Patiala Gharana and grandson of one of the two founders of the Gharana, passed away on the 4th of january 2017. Sometimes he was called Bade (older) Fateh Ali Khan in order to distinguish him from other singers who carry the same name. We present here in his memory some archival recordings. I don't remember anymore from whom I received these recordings. Our friend KF made a double CD out of them. I always was very fond of his deeply emotional voice and listened to many of his recordings literally hundreds of times. He has quite a number of LPs, cassettes and CDs released in Pakistan (nearly impossible to get outside of Pakistan), India, Germany, France and England. Some of them are available from: info@raga-maqam-dastgah.com

We posted already several cassettes by him in 2013 here and 2015 here (see there more information on the artist), here and here.

There exists a wonderful portrait - The True Ustad - by Ally Adnan, originally published in The Friday Times in Pakistan in 2013. I made a pdf-file out of it. It can be downloaded here:







Comment on 7th of january 2017
The last couple of days I listened several times again to the Megh and Malkauns posted here. These two ragas were - together with Darbari - the favourite ragas of the Ustad and his renditions of them were legendary. I have to say, that even after decades of knowing the music of Fateh Ali Khan, I'm still each time blown away by the sheer intoxicating beauty of these recordings. For me it is an absolute summit of beauty and deep emotion. But, to tell the truth: there are quite a number of summits in Pakistani and Indian Raga music.
What also contributes to it is the exquisite Sarangi and Tabla accompaniment. Unsurpassable indeed. Very particular to Pakistani recordings of that period is that the Sarangi starts the rendition and lays down the atmosphere of the Raga. Only then the singer enters. In India this would be unthinkable. Pakistan always had in the past quite a number of outstanding Sarangiyas: Ustads Nathu Khan, Hamid Hussain Khan, Nabi Bakhsh, Ghulam Mohammad Khan and a few others. In the near future we will post more LPs by some of these great Sarangi masters.



Friday, 12 August 2016

Ragni Recordings - An amazing CD collection from Pakistan, published by Zaheer Alam Kidvai. Now available also outside of Pakistan

Last year I discovered Zaheer Alam Kidvai's amazing blog Ragni Recordings, where he presents the 60 CDs he made up to now. The recordings cover basicly three domains: old style Qawwali of the Qawwal Bachon Ka Gharana (Delhi Gharana), classical Raga music and recitations of Urdu poetry. Just about a week ago three new releases were published, amongst them two sets of CDs by the great Agra Gharana singer Asad Ali Khan, of whom only very few recordings were available up to now (see below). Zaheer made his releases now available to music lovers outside of Pakistan on Dropbox as downloads in wave format for a very reasonable price. For more details refer to his blog: Ragni Recordings.
As the CDs were only for sale in Pakistan and quite a number of them I found extremely interesting, I tried to figure out a way to get them. I knew already that shipping things from Pakistan is almost impossible.
So I asked Musab who runs the wonderful blog Tangled Up In Blue, mainly on older Qawwali, if he could help me in any way getting these CDs. I was very touched that he responded immediatly very warmly and told me that a Pakistani living in Vienna was about to visit Pakistan and that he would ask him if he would be so kind to bring the CDs back to Austria and then ship them to me from there. That man also responded very warmly to this request and so after a couple of weeks I had these fantastic CDs (and DVDs) in my hands. This man from Vienna - I found out a little later - was no other than Asifmanu, the one behind the fantastic blog Qaul devoted also to older Qawwali and older Raga music from Pakistan.
Since then I was reguarly in contact with Zaheer Alam Kidvai, reminding him to inform me about future releases. As he is a very busy man it took about a year that the next three relaeses came out: two CD sets by the great Agra singer Asad Ali Khan and a double CD by Munawar Ali Khan.
Ustad Asad Ali Khan was one of the foremost and most outstanding students of Ustad Faiyaz Khan. After partition he went to Pakistan. As far as I know there exists only one commercial recording by him, which we posted a while ago here. The recordings published now by Zaheer Alam Kidvai are from two Mehfils. Very very beautiful old style music.
Ustad Munawar Ali Khan is the well-known son of Ustad Bade Ghulam Ali Khan. We posted on our blog three LPs by him here. This new release is also a Mehfil recording.
All these new releases have an amazingly good sound quality though the recordings are Mehfil (private concert) recordings and were done over 40 years ago.




Among the older CDs especially interesting are the 7 volumes by "Manzoor Ahmed Niazi aur Hamnava", here called Badi Party (Badi means - I guess - greater, older, like in Bade Ghulam Ali Khan, the older or greater Ghulam Ali.) The troupe consisted of four major Qawwals: Manzoor Niazi, Munshi Raziuddin, Bahauddin and Iftikhar Ahmad. All these members formed later (in the 1970s) their own ensembles and were the torchbearers of the original Qawwali of the Qawwal Bachon Ka Gharana (Delhi Gharana). The first three became very famous amongst connoisseurs. Today's most outstanding Qawwali ensemble of this old, extremely interesting tradition is the one by Farid Ayaz and his brother Abu Mohammad, the sons of the great Munshi Raziuddin. You find here CDs (and DVDs) by all these artists.


Zaheer just gave me some details on the new releases:
"1. All recordings older than 1970 were on a Sandberg Recorder
All Recordings after 1971 were on a Revox A77 10” Recorder
Most recordings after 2007 were on a Zoom Digital Recorder
Just a few recordings after 2007 were also done on the old Revox.
I prefer the Revox to listen to my recordings and have never felt that CDs match the Analog quality.
Transferring 78s (and most LPs) to CD is Ok, since many of them don’t have the Analog quality and in many cases are scratched etc.
2. The AAK 1 is May 1970
3. The AAK 2 is June 1971
4. More of AAK coming soon.
5. Munawwar’s Karachi Mahfils will all be 1975 (yes there are more)
He came here for a month and asked me to record him and took a copy of each performance. I have the originals."

Addition in October 2018:

All the great classical music and Qawwali CDs from Ragni Recordings are now available for lossless download on Qobuz:
Only the ones with light classical music and poetry recitation are not available. This makes it now much easier to obtain them.

Sunday, 21 February 2016

Roshan Ara Begum (1917-1982) - Roshan Ara Begum Sings - LP published in 1961 in Pakistan and also in India


Here the second of the two LPs by the great singer of the Kirana Gharana published in the beginning of the 1960s. The first one we posted in July 2012. See here.
We also had posted in March 2015 four cassettes by her published in 1978. See here.

This LP we bought in the 1970s with a generic cover (see below) in a Pakistani record shop in Southall, near London. Recently we bought another copy from India with the original cover. We offer here the music from the LP we bought in the 1970s (Pakistani pressing) and the covers of the recently bought LP (Indian pressing).




The generic cover of the Pakistani pressing I bought in the 1970s:

Saturday, 19 September 2015

Salamat Hussain - The Enchanting Notes of Flute - Asghar Records PIKA-37 - LP published in New York in 1980


Here as promised to my blogger colleague Richard the only LP I have from this "mysterous" Pakistani label based in New York in the 1970s and 1980s. I bought this LP in the early 1980s in Southall near London in a Pakistani record shop. They had at that moment quite a number of LPs by this label, but unfortunately I bought only this one as there were so many of the great EMI Pakistan LPs which I couldn't resist. This Salamat Hussain LP I bought basicly out of nostalgic reasons as my very first Raga LP, the legendary "Pakistani Soul Session", which I posted here as one of my very first posts in june 2011, contained two tracks by him.
Richard had posted on his wonderful blog "Flat, Black and Classical: Indian Classical Music on Vinyl and Cassette" two LPs from this label, which also goes under the name Oscar Records:
and:


Side 1:
1. Raag Chandar Kauns (Chandrakauns)
2. Raag Gujrri Torri (Gujri Todi)


Side 2:
1. Raag Aimen (Yaman)
2. Thummarri Tez (Thumri Desh, I suppose)



The artist has a website: http://www.salamathussain.com.pk/articl/biography.htm

Our blogger colleague Hans posted in 2011 a cassette by Salamat Hussain and added a track by one of his teachers, Debu Bhattacharya. In this post Hans also posted a number of other recordings by very little known Bansuri players from Pakistan.
See: http://lalogiqueinterne.blogspot.de/2011/01/roseaux.html

Saturday, 16 May 2015

Gharanon Ki Gaiki - Vol. 20 - Mohammad Afzal Khan & Mohammad Hafiz Khan - Talwandi Gharana


The Talwandi Gharana is the only Dhrupad Gharana in Pakistan, very different from the better known Indian Dhrupad traditions. These two singers passed away already years ago and are succeeded by their sons Labrez Afzal Khan and Ali Hafeez Khan.


For more information see:

Monday, 11 May 2015

Gharanon Ki Gaiki - Vol. 19 - Asad Ali Khan - Agra Gharana



Ustad Asad Ali Khan was an outstanding disciple of the great Ustad Fayyaz Khan. He was already well-known in India in the 1940s, before he went to Pakistan after partition. There unfortunately - it seems - he never became very well known, judging from the few recordings which exist. I guess these musicians were mainly known for their - often privately organized - concerts (Mehfils).

Raju Asokan, the great collector, has shared recently two wonderful long performances by him on his YouTube channel:

Here some memories by a singer, Moni Babu, who learned, among other greats of the Agra Gharana, also from Ustad Asad Ali Khan: 
"Ustadji’s (Tassadaq Hussain Khan's) nephew Asad Ali was a wonderful singer. He moved to Karachi after partition. Till then we thought that in Ustad’s absence Asad was the one who would bear the mantle. Once in a programme from Delhi Radio he gave a recital of Sayaji Kanada. It was an unbelievable performance that haunted me for many days. When Asad returned to Agra, I pleaded with him to show me the nuances of the raga. Ustadji was not at home when we started but suddenly returned from somewhere. Asad received the scolding of his life and literally fell at his feet. I was speechless at the developments and vanished from the scene. Later Ustadji called me the same day and taught me till I was able to sing it myself. The fact was , none except him was allowed to teach. I was clearly told not to depend on anybody else and ask him whatever I wanted to know. I had seen similar things to happen to others also.
He affectionately called me Maharaj and treated me like one. On Sundays his own tonga would pick me up and drop me back. Money was never an issue. Whenever and whatever I could afford to give was fine. Agra was witness to the most terrible riots during partition time. Ustadji’s house was at the end of a lane  through a red-light area , lined on both sides with beef-shops on the ground floor  . No Hindu would even think of going there those days, particularly during the nights. I had never told anything to him but was naturally a bit concerned because it was quite late in the night by the time I returned from Ustadji’s house. One day Ustadji called a man named Abdul and told him “Abdul, he is my son. Nothing should happen to him”. From that day onwards, two persons would escort me every day till I reached the safe Hindu locality. So much for discrimination”.
Read here the complete story: 

Some information on the Agra Gharana:

Wednesday, 6 May 2015

Gharanon Ki Gaiki - Vol. 18 - Hameed Ali Khan & Fateh Ali Khan - Gwalior Gharana



See our earlier post of a cassette by the two brothers here.

The two brothers were and still are well-known Khayal singers in Pakistan. Not to be confused with the famous Patiala Gharana singers of the same names. It seems that they stopped at one point to sing together. See below the links to their facebook sides. 

On the artists see:

Friday, 1 May 2015

Gharanon Ki Gaiki - Vol. 17 - Umrao Bundoo Khan - Delhi Gharana


Ustad Umrao Bundoo Khan was the son of the great Ustad Bundoo (Bundu) Khan, one of the greatest Sarangi masters of the 20th century. See our posts here. Umrao Bundoo Khan was both a singer and a Sarangi player.

Saturday, 28 March 2015

Gharanon Ki Gaiki - Vol. 9 - Fateh Ali Khan - Vol. 1 - Patiala Gharana


Next we have three cassettes by the great, very charismatic Patiala singer Ustad Fateh Ali Khan. I'm personally very fond of him and his emotionally charged voice. For me it is like old vine: makes you drunk. Such beautiful recordings. There have been quite a number of CDs by him, some still available (for example from: info@raga-maqam-dastgah.com).
See here our earlier post of a cassette by him.



On the artist see:
http://www.travel-culture.com/pakistan/music/ustad-fateh-ali-khan.shtml
and especially this beautiful article in three parts: